Seven Golden Rules for Effective Fiction Podcasting

So have gotten through this podcasting exercise I came up with seven golden rules for podcasting fiction that I have learned from my own speculative fiction podcast, Flores Girl:The Children God Forgot -

1. Do complete your novel before recording the podcast and do not write as you go. Making it up as you go along may have worked for Indiana Jones but for a podcast that is a recipe for certain failure. It very easy to go down a rat hole in a story and with it so go your listeners.
2. Seriously consider culling your written work so as to make the podcast more manageable in overall length. By the way, I did not listen to my own advice.
3. Do invest in the proper audio equipment for your recording. There are some good discussions at the Podiobooks community site about this issue. You will also need the right software to edit your podcast and yes, we do get into the stupid PC-Mac holy wars as well.
4. Practice, listen and then practice some more.
5. And then edit and re-edit your results like a demon. Listen several times and then asks others to listen as well. One of the Podiobooks writers complained that he recorded a flatulent moment during one of his podcasts and unfortunately he doesn’t use side effects. I can’t say I have recorded a sound artifart but I have occasionally recorded a family argument or two by accident. I have also missed an edit and recorded the same sentence several times.
6. Don’t do accents or change sex during a podcast unless you are a marvelous actor or a very talented hermaphrodite.
7. Once completed marketed the hell out of your podcast. Just because you recorded it that doesn’t mean the listeners will automatically flock to it.

By the way I really do enjoy working with the people at Podiobooks, including Evo Terra and Chris Miller but maybe you have had good experiences with other sites and communities. Please share!

Reflections on completing the Flores Girl Podcast.

I have conflicting emotions about the completion of my speculative fiction thriller Flores Girl: The Children God Forgot Podcast at Podiobooks. First, I’m glad to be done with the podcast since it has been hanging over my head for over a year and a half. I was about a third through the podcast when the sirens call of family responsibility took precedence over my writing muse. I assumed a position of responsibility with a large Fortune 100 company and to say that my time has been limited is an understatement. So the podcast was basically relegated to a weekend ritual at the end of my fifty to sixty hour week.

Because I didn’t have the foresight to cull the novel from the start, it is over 550 pages, I ended up recording 26 chapters for the podcast. Reading my novel aloud was an interesting exercise because it made it easy to spot glaring weaknesses in my narrative and prose. Yes, after my readings I did rewrite entire sections of the novel. That was the exception to the rule but tweaks to the story and rewriting were the norm as I recorded the podcast. Monotonous dialog tags that could be skipped as you read became a drone during the spoken narrative of the podcast. I learned a lot as I made way from podcast to podcast. Oh, did I mention that I began writing the sequel to the first novel about the same time? That added another layer of complexity to the process because it did kinda of make sense make the narrative consistent between the two novels. Plus I started the third and final novel as I gathered more ideas to complete the further adventures of the two pains in the butt I called Sarah and Richard.

I dutifully went through this exercise every weekend, taking hours to record the narrative and then I spent hours adding sound effects and music. And of course there was the requisite audio equipment failure that cost me a month of my time as the mike input on my trusted laptop decided to crap out altogether. What a pain in the ass!

Then there was the readers, I mean listeners to deal with. They keep harping about what was taking so long. Jeez, as if a month between podcasts is too long to wait? Well, of course they were right and then came the inevitable criticisms of the podcast. You talk too fast, you have a funny accent (what the hell do you expect, I’m from New Yawk), the volume is too low and so on. At first, you might be inclined to make a comment about you get what you pay for but the listeners are making a considerable investment, that is, in terms of their time. In my case they were listening to over 15 hours of podcast recordings. So think thick skin like a rhinoceros and you will be fine, otherwise watch out.

More to follow on the Podcast Experience.

The Improbable, Writing and Playing with House Money

The improbable happened during this past Super Bowl with a decided underdog winning over the perfect team. But it wasn’t as improbable as you might think and no, I am not a big Giants fan. Basically, the Patriots were playing for destiny but the Giants were playing with house money. That is players playing with house money are not constrained by expectations. They are unexpectedly ahead so what the hell, why not keep pressing the envelope by continuing to play? In sports there is an end to a season but in Vegas they build empires counting on that singular human behavior and realize most players, i.e. gamblers, play until they lose.

So what does this have to do with writing? Writing should be of a similar bent. How often do we hear that reality is often stranger than fiction? As writers, do we as a community play it safe when we write because we are constrained by the parameters and norms of society? The greatest writers are not constrained by the norms of society or the media because they listen to their own inner voice. They are playing with house money because they have nothing to lose and at some point in their careers they came to that realization and found it liberating. That’s both the goal and the struggle for any author; to learn how to play with house money. By the way if you think sports has nothing to do with writing you never read “A Fan’s Notes” by Frederick Exley, 1972. Highly recommended.